This is the designer rendering for Sir. Wilful Witwoud. (The figure on the left)
Welcome!
Welcome!
This is my blog for TR 410 - Advanced Costume Technology
For this class, I built a period 1700's costume. I started with a designer's rendering and completed every step myself with the help of my instructor, Susan O'Neill.
The final product was worn during Seton Hill University's production of The Way of the World in November 2010.
The costume was designed by Karen Gilmer.
This is my blog for TR 410 - Advanced Costume Technology
For this class, I built a period 1700's costume. I started with a designer's rendering and completed every step myself with the help of my instructor, Susan O'Neill.
The final product was worn during Seton Hill University's production of The Way of the World in November 2010.
The costume was designed by Karen Gilmer.
Thursday, November 4, 2010
Paper Pattern
Here I am drafting the first paper pattern. It is in half scale and was taken directly from "The Cut Of Men's Clothes" by Norah Waugh
Here we edited the pattern so that the vest will have a revere.
Altering Paper Pattern
As you could see on the mannequin the vest was slightly too small across the back. I opened the back pieces and widened them.
The front was altered to give it the straight shape and the fold over needed for the garment. The cut out for the bottom of the front of the vest was also drawn in. It isn't actually cut out yet because the designer will need to determine and draw in it's exact shape during fittings.
The front was altered to give it the straight shape and the fold over needed for the garment. The cut out for the bottom of the front of the vest was also drawn in. It isn't actually cut out yet because the designer will need to determine and draw in it's exact shape during fittings.
Full scale Pattern
Here is the full scale altered pattern drawn on one inch grid and in the process of being transferred to muslin.
Pockets
The vest will eventually have real working pockets (as opposed to pocket flaps). Here is the pocket pattern and the first draft muslin pockets.
Full Scale Muslin
Here is the vest in full scale muslin. It will be fitted to the actor and then any changes made will be applied to the real vest.
Flat Lining and Fashion Fabric
After the fitting changes in the muslin were made. Then the muslin was used as a pattern to create flat lining. These pictures show the flat lining laid out on the fashion fabric. Then the pieces were sewed together and interfacing was applied to both front pieces and areas with vents to provide support.
Subscribe to:
Posts (Atom)








